Célestin Nantueil, Gargantua. (Undated, c.1840–50). Lithograph. 
In this avant-Romanticist “portrait” of Rabelais' medieval satirical 
character, Gargantua's head and body has been replaced with a scene of 
the industrializing city of Paris as a collapsing colonial vortex 
drawing in people and goods from across the world. The skewed 
perspective, refusal of illusionistic depth and scale, and the 
compositional emphasis on the frame reflect Nanteuil's radicalisation of
 medieval aesthetics. The Revenant archive contains a letter by the art historian and Nanteuil specialist Nathan Chaikin in which he attempts to locate a print from this run (fortunately, as the print in his own set of reproductions shows, he tracked down a copy in better shape than this!)

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